Review: “The Hunger Games”



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The Hunger Games

The Hunger Games

Before I review “The Hunger Games,” I want to promise my readers that I won’t accuse this film of ripping off the Japanese thriller “Battle Royale.”

I also want to assure the fans of the young adult novel by Suzanne Collins that I am one of you. Despite the seemingly random appearance of werewolves and the author’s frequent use of the word “stuff” as a catchall wonder-noun, I enjoyed the book a great deal because of its engaging, tough as nails female protagonist and potent theme that love and creation are far more challenging in this world than hate and destruction.

That said, I completely hated this movie. Its greatest failure comes from the fact that in trying to cram all of the plot details of a 384 page book into a 142 minute film, they rushed through the story, omitting its meaning as well as the reasons that made me care about the characters so much.

There’s no need to recount the plot as I’m certain most surface dwellers already know it by heart, but a crucial difference between the book and the film is the timespan in which the titular child-on-child televised bloodsport takes place. In Collins’ novel, the Hunger Games that Katniss Everdeen endures is no less than a two-week ordeal and surviving it requires our hero to be put through the wringer. She’s burned, she’s dehydrated, she’s stung by mutated bees with trippy LSD stinger venom, she loses her hearing in one ear, she watches a close ally die like a stuck pig, she watches another ally lose his leg to savage dog-beasts, and she gets cut in the face by a sadistic opponent. That she endures all of these setbacks and still manages to emerge from the Games with some shred of her humanity intact is something to applaud.

The Hunger Games that Katniss must endure in the film seems trivial by comparison. Katniss (played by Jennifer Lawrence) endures no more than three days of PG-13 rated turmoil and emerges co-victor with her District 12 buddy Peeta (played by the miscast Josh Hutcherson). Even worse, the movie omits the detail that concluded the novel so deftly: That Katniss is unsure of her true feelings for Peeta and only pretended to love him during the Games in an attempt to curry favor with the live TV audience.

Why would director and co-writer Gary Ross leave out this detail, which sets up the main conflict for the entire series? Were they worried it would alienate mainstream audiences? My guess is that the financiers who ponied up the cash for this film wanted to play it safe – the same strategy behind the movie’s key offense.

By choosing to play it safe, the film was clearly shot with a more commercial PG-13 rating in mind. Problem is, this is a story about children who are forced to kill each other with knives, arrows, blunt objects, and swords. Collins knew this when she wrote the book. She spares few visceral details when her child combatants meet their gruesome ends.

In shying – or cutting – away from the cruelty and savagery of their actions, Ross’ film takes the terrible act of children forced to murder other children and does something unforgivable by making it look casual. Brazilian filmmaker Fernando Meirelles understood this risk when he made his unflinching child gang war epic “City of God.” I can imagine right now that there are children reenacting the events from “The Hunger Games” as if they were ‘fun’ and ‘cool,’ thus replicating the worldview of the soulless Capitol dwellers from Collins’ novel.

This is why I can’t say that “The Hunger Games” is a rip-off of the superior “Battle Royale.” Despite the Japanese thriller’s tongue in cheekiness, there’s a pervasive awareness throughout the film that what is taking place is one of the most horrible scenarios ever imagined. Part of this has to do with the film’s special effects makeup, which is gory without feeling exploitive. The bigger reason the games in “Battle Royale” seem horrible has to do with Fukasaku’s insistence that we view his combatants as more than just pieces in a game, they are fully realized characters with back stories and hidden motivations for their behavior onscreen.

With “The Hunger Games,” it seems that characters are a luxury, something the filmmakers cannot afford to give us as we quickly leap from one plot point to the next. And while Peeta’s ultimate desire is to be more than just a piece in this heartless game, the real tragedy of this cinematic failure is that this is all he’s allowed to be.

4 Responses to “Review: “The Hunger Games””

  1. Anne-Marie says:

    This is an interesting take, Joe, and I can see where you’re coming from. I agree that the movie was lacking in gore for a story that deals with children fighting to the death. Not that I particularly want to see children get hurt, but I thought something was missing. I also thought they played out Katniss and Peeta’s attraction all wrong. Throughout the book, you know Katniss has feelings for Peeta (and vice versa), and she is conflicted. In the movie, I felt like she was playing the angle to win the games the entire time. And there was that nagging voice in the back of my head wondering why Katniss looks well-fed when I pictured her emaciated from all the, you know, hunger.

    There were some definite positives to the movie as opposed to the book, though. First person present tense is so limited (and annoying), so the story of the Capitol and the rebellion was treated better (in my opinion) in the movie version. I’ll take watching people smash large TVs and fight the police over a piece of bread any day. I also enjoyed seeing the President’s punishment for the Gamemaker. And I liked Cato’s speech at the end where he says he was dead the entire time. That was a moving moment, and I appreciated that touch.

    Perhaps my enjoyment of the movie is based on how much I disliked the book. I never cared for Katniss or any of the characters. I thought Collins wrote about starvation far too much to where it lacked importance. I thought the genetically mutated wolves were absolutely ridiculous. Just bad, bad writing. I would have ripped it in workshop. I couldn’t help thinking how much better the story would have been if Michael Crichton had written it.

    • Joe says:

      Having set through many of the same workshops as you, I am sure we would have ripped apart Cormac McCarthy’s “The Road.”

  2. Katie O says:

    While I enjoyed watching the movie with some of my coworker friends, I did feel that it was incredibly lacking in character development and motivation. I wanted more of that, especially for Cinna who I think is an interesting character and I missed seeing his relationship with Katniss grow.

    Other things were lacking too: Katniss’ sense of rebellion (she’s just so clueless in the movie), the story of the Mockingjay pin, the sci-fi-ish details (about the Tracker-jays, etc)… But you’re right, there was just way too much going on in the book to try and cram it all into a 2-hour movie.

    • Joe says:

      Lenny Kravitz was terrible as Cinna. I noticed the editors cutting away from him as much as they could because his facial expressions were just so flat. I might be completely off here, but RuPaul would have been much better, but maybe it’s because I see him playing a similar role every week on his reality game show. Kravits played the role like he was kind of attracted to Katniss, whereas I thought of him as more of a gender neutral mentor.

      And yes, Katniss’ sense of rebellion was non-existent in this. Like the movie, she was so caught up in the game.

      While they are far from perfect, the HP movies are a good example of YA lit adaptations. To get some things right, the latter films omitted whole plot points and story threads from the source material. Film six was a great example, dropping the final battle scene to focus on the loss of innocence for both Harry and Draco that the story represented.

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